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As an English teacher preparing students for university-level work in academic English, I have spent many hours poring over essays, red pen in hand. The process of reading and correcting was always time intensive and grueling, and the results were usually as disheartening for me as they were discouraging for the emerging writers who composed the essays. Not only that, but the same problems would reappear later, the whole demoralizing process repeated through the draft, feedback, and revision process, assignment after assignment. 
 
In my search for a better way, I have tried most of the standard techniques to give effective feedback to my students while decreasing the amount of time spent writing such feedback. Whether handwritten or submitted electronically, the waves of essays kept coming, multiplied by regular increases in class size, and I sought any technique or innovation that would allow me to fit my family life into the troughs between the peaks. I used rubrics and handouts of abbreviations and proofreading symbols, some standard, some of my own invention. I created an array of Microsoft Word macros that I could access with the press of a key to insert such feedback as “This is a comma splice. A comma splice is when you connect two independent clauses using a comma, and it can be corrected in several ways. See page XX in your textbook for further information.” Finally, I went minimalist and only circled or highlighted areas that needed attention, requiring students to visit me during office hours or consult with me during class time when they couldn’t figure out their errors. Usually though, if students couldn’t correct their mistakes on their own or by asking me in class, they would take a random stab at correcting their mistakes, not having the time or desire to make a special trip to visit me during office hours for an explanation. However, during the moments I spent with the few who did come to visit me for face-to-face feedback, I felt like I made the biggest impact, and both the quantity of the feedback and the quality of the experience were incomparably superior to those of any written feedback I had ever given. Not only that, but I was able to deliver better feedback in much less time than it would have taken to write it. I wished that there were a way to deliver that experience to all my students. That’s when I discovered Jing.
 

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Author: William J. Woodard Format: Text
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Teaching Techniques: Audiovisual Feedback in EFL/ESL Writing Classes
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This guide is designed to enrich your reading of the articles in this issue. You may choose to read them on your own, taking notes or jotting down answers to the discussion questions below. Or you may use the guide to explore the articles with colleagues.
 
For example, many teachers discuss Forum at regularly scheduled meetings with department colleagues and members of teachers’ groups, or in teacher-training courses and workshops. Often, teachers choose an article for their group to read before the meeting or class, then discuss that article when they meet. Teachers have found it helpful to take notes on articles or write a response to an article and bring that response to share in a discussion group. Another idea is for teachers to try a selected activity or technique described in one of the articles, then report back to the group on their experiences and discuss positives, negatives, and possible adaptations for their teaching context.

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Reader's Guide (Forum pages 27-28)
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Many English as a foreign language (EFL) students fail to be effective readers because they lack knowledge of vocabulary and appropriate reading strategies. We believe that teaching proper reading strategies can help second-language learners overcome their reading problems, especially when the instruction begins in elementary school. Effective reading strategies “provide the means to tackle complex problems in more efficient ways” and allow students to build a “path to comprehension” (McNamara 2009, 34). One effective strategy is concept mapping, which is the use of visual tools to help readers understand material by transferring “the written content into concrete images” (Liu, Chen, and Chang 2010, 442). Through concept-mapping activities, learners connect previously learned and newly learned ideas onto a visual representation, or “map.” Research shows that concept maps have positive effects on children’s language skills; for example, Liu et al. (2011) describe how concept mapping “prompts learners to reflect to construct meaning based on their observations and knowledge,” thereby helping “students develop and apply the knowledge about storytelling” (873). In this article, we describe two reading lessons that use concept mapping to produce beneficial effects for elementary school students.
 
BACKGROUND
Concept mapping is related to the pedagogical theory of constructivism, which asserts that productive learning occurs when students create meaning on their own by connecting previous knowledge and experience with newly formed knowledge and experience. According to Kalhor and Shakibaei (2012), concept mapping (1) helps students understand the framework of the subject being taught; (2) clarifies the relationships and connections among all instructional content; (3) reinforces knowledge retention; and (4) enhances an instructor’s teaching objectives. Anderson (1991) stresses the importance of describing reading strategies for students (e.g., visualization and applying background knowledge and experience) and of showing learners how to use them. Therefore, when it comes to teaching EFL reading, it is crucial for a teacher to act as facilitator to help learners construct their own meaning as they apply their current knowledge to new ideas.
 

(Download the attached PDF to read the full article.)

Authors: Adeline Teo, Yun F. Shaw, Jimmy Chen, and Derek Wang Format: Text
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Using Concept Mapping to Teach Young EFL Learners Reading Skills (Forum pages 20-26)
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For a 2015 workshop with pre- and in-service secondary school English teachers in New Delhi, we asked our colleagues to bring a short text from their curriculum to anchor the day’s activities. They arrived with a copy of Stephen Spender’s poem “An Elementary School Classroom in a Slum”; the fourth and final stanza reads as follows:
 
Unless, governor, teacher, inspector, visitor,
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open ’till they break the town  
And show the children green fields and make their world
Run azure on gold sands, and let their tongues
Run naked into books, the white and green leaves open
History is theirs whose language is the sun. (Stephen Spender Trust 2015)
 
The text, the teachers explained, was required reading for twelfth-graders (senior secondary) and, for their students and for themselves, a struggle. Part of the challenge for teachers of English as a foreign language (EFL) working with a literature-based curriculum is striking a balance between teaching the text or series of texts and creating opportunities for communicative interaction. To begin with, a poem such as Spender’s is hard to read. The syntax is unconventional—e.g., “History is theirs whose language is the sun”; so too is theimagery Spender employs—e.g., “… and let their tongues/Run naked into books, the white and green leaves open.” Often, students simply want to know what the poem means—or is supposed to mean. Obligingly, teachers explain line by line, stanza by stanza, with a culminating series of comprehension questions, frequently in a multiple-choice format. If students still do not “get it,” they turn to the Internet in search of an explanation; and, in the case of the Spender poem, a recent Google search for “An elementary school classroom in a slum analysis” rendered 13,400 results. We argue, however, that in a communicative teaching paradigm, it is not enough to teach what the teacher believes the poem to mean—or what someone told us it means. Rather, reading complex texts is an opportunity for students to engage in deeply personal meaning-making processes.

 

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Authors: Spencer Salas, Kyra Garson, Shweta Khanna, and Beth Murray Format: Text
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Using Freewriting to Make Sense of Literature (Forum pages 12-19)
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As a language learner, I have found that one of the most difficult skills to contend with is listening. I was never taught how to listen. It was simply assumed that listening skills would be naturally acquired. For my first few years as an English as a foreign language teacher, I assumed the same. However, as I reflected on my own language-learning experiences and those of my students, I rethought this assumption. I did more research on listening instruction, and,not surprisingly, I learned that listening in a second language is not something that is just picked up.
 
Instead, the research points to it as a demanding cognitive task that requires a breadth and depth of exposure that neither I nor my students had been given. Through the research, I also realized that my language teachers and I were not the only ones who had made some poor assumptions. 
 
It seems that throughout the history of English language teaching (ELT), most students have never been taught how to listen. According to Thorn (2009), most listening is done for non-listening purposes, such as introducing grammar or vocabulary, for discussion, for testing comprehension (but not actually to learn how to comprehend), and for familiarity with different accents. Rarely will someone claim to use listening in class “to train students to listen more effectively” (Thorn 2009, 9). According to Brown (2011, 36), “playing audio and asking comprehension questions, or even playing audio and asking students to complete tasks, is merely testing.” Therefore, a great deal of listening practice focuses on testing listening, not teaching it. Testing a skill without first teaching it would not be acceptable for reading, writing, or speaking, and therefore it should not be acceptable for listening.
 
When listening instruction does occur, it is mostly a top-down approach. Thorn (2009) again points out that the focus is on schema building, gist, and guessing, not the words and sounds that actually make listening challenging. Furthermore, the listening texts themselves often pose a problem—Thorn (2009) believes that most texts are uninteresting from the students’ perspective, lack natural language features (e.g., linking or elision), and utilize one standard accent. None of this prepares students very well for the real-world listening challenges they will encounter.
 
While these methods of listening instruction still remain the dominant paradigm in ELT, they are slowly changing. Based on my experience as a language learner, on second- language listening research, and on some newer trends in listening instruction, I have designed a method that uses listening journals to deal with the challenges of learning to listen in a second language. This article introduces the concept of listening journals and explains how teachers can use them to focus on both the extensive and intensive aspects of listening in order to help students improve their overall listening skills.
 

(Download the attached PDF to read the full article.)

Author: Anthony Schmidt Format: Text
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Listening Journals for Extensive and Intensive Listening Practice (Forum pages 2-11)
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Enrollment in English language courses is often high for many reasons. Studying English is compulsory in many parts of the world, but some students make a personal choice to take classes as well. Whether students are fulfilling a requirement or want to study English to meet a specific goal, the popularity of the language has filled some classrooms to capacity or beyond.  

Large class sizes can make teaching a challenge. This week in the Teacher’s Corner, we will examine how to make the most of a large class by using learning teams and assigning tasks that require students to apply what they have learned.

Learning Teams

One challenge of having a large class is ensuring that all students are engaged and participate in the lesson and activities. Whether we have 25, 55, or 95 students, it is hard to deliver instruction and circulate around the classroom to be sure every student is being attentive and understands the content.

One way to increase student participation is to organize learning teams with specific roles for each student. Smaller teams provide more opportunities for students to participate and keep each other focused. The ideal number for a team is between 4 and 6 students. Many teachers choose to keep the same teams for a designated period of time such as a month, a marking period, or a semester. How frequently you create new learning teams depends on the needs of your class.

It is imperative that you thoroughly explain the purpose of learning teams and the responsibilities of each role to students. It is important to provide opportunities for the class to practice working in teams and fulfilling each of the roles. If you invest time in communicating expectations and practicing procedures, the process will become effortless and students will easily be able to change roles and teams as needed. The roles are described below and can be adjusted depending on how many students are in each group.

Team Member Roles

Moderator: This member is responsible for guiding the group’s discussion. This includes making sure that all members of the team are focused on the topic and being sure that all members participate. The moderator must ensure that each team member has a chance to contribute his/her ideas to the discussion or task. If needed, this can be accomplished by allowing each member to talk individually for a set amount of time.

Timekeeper: The timekeeper ensures that the team adheres to time constraints. If needed, the timekeeper can divide the total time allotted to the team into sections, such as time for discussion, time for summarizing, and time for completing the final product. He/She can also work closely with the moderator to keep track of time so that each team member is able to share ideas.

Supply Manager: The supply manager’s job is to determine what supplies are needed for the team to complete the assigned task. This person also gathers the supplies, or divides responsibility for bringing supplies amongst the team’s members. The supply manager also ensures that the supplies are returned and everything is cleaned up properly at the end of the team’s work time.

Recorder: The recorder is responsible for taking notes on the team’s discussion and ideas. Before the team creates a final product, the summarizer (see below) will work with the team to synthesize the information. Then, the recorder will write ideas or information for the team’s final product.

Summarizer: After each team member has had a chance to contribute ideas, the summarizer will provide an overview of what the team discussed. The summarizer can use the recorder’s notes and extract any common themes or information. The summarizer should present an overview to the team and help members reach an agreement about what to include in the final product.

Reporter: The reporter’s job is to present the team’s final product and answer any questions from the audience. Depending on the task that is assigned, this may be an oral presentation, a poster, or another type of project. The reporter is the “voice” of the team and represents everyone’s ideas in a presentation to others.

Note: If your learning teams have 4 or 5 members, some of the roles can be combined. For instance, the moderator can easily act as timekeeper, and the supply manager can also be the summarizer.  

Suggested Tasks for Learning Teams

For students to benefit from working in teams, it is important that they are assigned a task which requires each member to contribute and play an active role in creating a product that demonstrates their learning. For this reason, activities like worksheets or textbook exercises are not the best to use with learning teams. Students in learning teams will benefit most from completing tasks such as the ones suggested below.

Poster: Have students create a poster summarizing a lesson or unit. For example, after teaching a specific verb tense, ask students to describe when the tense is used, describe the morphology, and provide example sentences with illustrations. After teaching new vocabulary words, students can make a poster with definitions, illustrations, and sentences containing each of the words. These can be displayed in your classroom for students to refer to throughout the course.

Story/Composition: Ask each learning team to write a story, short text, or sample dialogue to demonstrate their learning. Require students to include specific parts of speech, vocabulary, tenses, or language structures that you taught in the lesson.

Skit: Learning teams can write and perform short skits to demonstrate their understanding of concepts that you taught. For example, after students learn about adjectives, ask them to create a skit that requires them to describe something. Students can also demonstrate their knowledge of new words or grammatical concepts by creating a script that requires them to use specific vocabulary, tenses, or language structures specific to a certain topic about which they are learning.

Lesson Reflection: Have a set of about 5 questions prepared for learning teams to answer after your lesson. Questions that require students to apply their learning work best. Example questions are outlined in the table below.

Use with new verb tenses, vocabulary, or grammar concepts:

Use with literature to reflect on characters and events:

Use with nonfiction texts:

Describe a situation in which you might use the ________ tense.

 

Describe how a word changes when it is in the  ________ tense. Describe how a word changes when it is an adjective, ordinal number, possessive, etc.

 

List 5 examples of words in the ________ tense. List 5 examples of words that are adjectives, related to a certain topic, etc.  Note: The number of words you require can be adjusted to the specific needs of your students.

 

Write 5 sentences that show you understand how to use ________ tense, the new vocabulary, or the new grammatical concept. Note: The number of sentences you require can be adjusted to the specific needs of your students.

 

How would you explain this tense/vocabulary/grammatical concept to someone else so that they would be able to use it correctly?

After reading this part of the story, how would you feel if you were ________? Why?

 

Would you take the same actions as ________? Why or why not?

 

What do you think will happen in the next chapter/section of the story? Why?

 

Create a timeline of important events in this chapter/section of the story. (This can be an ongoing task after reading each assigned section of a text.)

 

Which event in the story do you think has been the most important so far? Why?

What is the main idea of this text?

 

Name two interesting facts that you learned from reading this text.

 

Do you interact with this topic in your life?  How often? How does it affect you? Can you think of people who would find this topic interesting or important?

 

Was this text trying to inform, persuade, instruct, or entertain? Why do you think so?

 

If you had to give someone else a summary of the key points from this text, what would you tell them?

 

Dictogloss: To complete a dictogloss activity with students, you should select a passage or short text you would like to use. The text can be fiction or nonfiction. Select about 10 words from the passage that you want to emphasize. The steps for this strategy are:

  1. Read the text out loud to the whole class. Ask students to listen closely.
  2. Inform students that you will read the text out loud again. This time, students may take notes, draw pictures, or write down anything that helps them remember the events or concepts from the text.
  3. Write the list of vocabulary you selected on the board. Have a student read it aloud, or have students repeat the words.
  4. Tell students that they must work with their learning team to recreate the text. Inform teams that they must include all of the words from the list.
  5. Allow teams to assemble and compare notes in order to recreate the text.
  6. After the allotted time has passed, have teams present their recreated text to other teams or the whole class. Students can provide feedback if vocabulary or important details are missing from the teams’ recreated texts.

Other Projects: Learning teams can also create other types of projects to demonstrate what they have learned. Depending on the topic, you can ask students to create a grammar book, print advertisement, poem, commercial, song, diorama, or visual representation.

The tasks described above can be presented in several ways. Some assignments can simply be turned in and evaluated by the teacher. Others can be performed or presented to the whole class or another learning team. Learning teams, or the whole class, can assess the projects based on a rubric or checklist. For assessment tools and ideas, see the October Teacher’s Corner, Collecting and Using Data. A benefit of team-based assignments and peer assessment strategies is that it can help reduce the amount of time teachers spend evaluating students’ work. This can be especially helpful with large classes.

Learning teams can be an excellent way to address a large class. Because students are required to participate in a team-based activity at the end of the lesson, they are more likely to be engaged when you provide instruction. Clearly defined roles and accountability to peers help students stay focused within the team.

Additionally, the performance-based tasks suggested above require students to do more than just recite information. Instead, they must use higher order thinking skills to apply their learning in order to create a final product. Reviewing concepts by discussing and creating something helps learners form new ideas and retain information better than many lower-level individual tasks. 

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Activity 1
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In this interview, Bianca talks about philanthropy, family traditions, and her passions for Spanish, history, and business.
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Interview
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This section of American Teens Talk! offers a variety of ways to use the text and audio with English language learners in the classroom. 

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Possible Activities
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This section includes a table of contents and an introduction to the project that culminated in this resource.

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Table of Contents
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Photographs can be a great way for students to find visual representations of the language they are learning in class. We use pictures in language classrooms all of the time, but we don’t always give students opportunities to choose the photographs and make the connections out of their own creativity and understanding. In this week’s Teacher’s Corner, we put materials development in the hands of the learners. Students will work to find a visual representation of a word they are given and then share that visual with the class as part of a class museum exhibit.

Level

Any level

Language Focus

Speaking, Listening, Reading, and Writing

Goals

During this activity, students will:

  • Use photography to provide visual versions of a vocabulary word or idea they have learned in class recently.
  • Create written and/or spoken descriptions of their photos to reinforce and reteach language learned in the classroom.

Materials

  • Card stock or heavy paper for “framing” photos
  • Printed copies of photos/magazines/newspapers
  • Scissors
  • Glue
  • Paper/Pencils/Markers
  • Tape
  • Example picture with text (see Appendix A)

Preparation

  • Have enough copies of magazines/newspapers/photos for all students to work with.
  • Make stations of materials for easy collection. For example, have a pile of papers, a pile of magazines, a pile of glue, etc. so that each student can come to the front and collect one of each.
  • Have a list of vocabulary words or concepts that your students have learned recently in class.
  • Prepare one photograph with a written description as a model for learners. You can make one or use Appendix A.

Procedure

  1. Tell students that they are going to make a museum in class using photographs.  
    • Show them the sample picture you created or use Appendix A.
    • Let them look at the sample picture and ask if it reminds them of any vocabulary words or concepts they have learned in class recently.
    • After they have made some guesses, read the description of the photograph to them.
    • Ask learners what other pictures might also be used to explain the same word or concept.
  2. Tell learners they are going to choose their own picture and write a description.
  3. Have learners come to the front and pick up one of each of the materials you have at the front of the room.
    • After learners collect their materials and return to their seats, walk around the classroom and give each learner a word or concept to focus on while looking for a photograph.
  4. Give learners time to work on finding a picture and writing their own description.
  5. Learners must also use the materials to make a frame for their photograph and hang it on the wall when finished.
  6. Once all of the photos are on the walls, tell students to walk through their museum.
  7. Have each student choose three pictures about which they will write one question each.
  8. Once all of the students have toured the museum, ask them to sit down.
  9. Have one student stand by their photograph and answer the questions other students prepared.
  10. Give each learner time to answer questions about their photo.

Variations

  1. In an adaptation of this activity, ask learners to bring in their own pictures to use for the project.
  2. One variation might have students taking their own pictures outside of class time. They print the picture and bring it to class to use for the activity.
  3. Another alternative is to make this into a digital photography project. Learners can find pictures online and submit them to you via email. You can then collect all of the photographs and put them into a PowerPoint or Prezi (www.prezi.com) slideshow as a way to present them via a projector and a computer. Rather than have written descriptions, have learners prepare a spoken description to give during the slideshow.
  4. Another option is to have learners work in small groups to make slideshow presentations of their materials, complete with descriptions and pictures.
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Activity 4: Photography Exhibition
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