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English Teaching Forum 2003, Volume 41, Number 1
Hear and read about the blues! This issue's feature article on the history and culture of blues music has accompanying sound files. Other topics include teaching the present perfect progressive, ready-to-use methodology materials, tutorials, and reflective journals.

Hear and read about the blues! This issue's feature article on the history and culture of blues music has accompanying sound files. Other topics include teaching the present perfect progressive, ready-to-use methodology materials, tutorials, and reflective journals.

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Table of Contents

Alternatives to Current Pedagogy for Teaching the Present Perfect ProgressiveExpand

These researchers collected 250 samples of spoken and written American English from high-level communicators and analyzed the use of the present perfect progressive tense. They compared these samples to five leading ESL and EFL grammar textbooks. This article reviews the research and findings. The five leading textbooks provided good overall structure for teaching the present perfect progressive tense, but the use of the tense was critically influenced by broad context, adverbs, temporal context and the uses of other tenses including the present and present perfect tense.

Authors: Marianne Celce-Murcia, Nina Yoshida
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Ready-to-use Methodology Materials: Breaking the Teacher-Fronted Cycle in the ClassroomExpand

This article describes the use of loop input and reflective journals to create a more effective way of teaching and preparing teachers of English-as-a-second-language in Slovakia. The authors of this article, who are also the designers of the technique, discuss how they handled challenges to the course, which included poor student motivation and attendance, and students who expect a teacher-fronted classroom rather than a learner-centered one.

Authors: Maria Snarski, Andrea Billíková
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Tutorials: A Way of Building Community in the ClassroomExpand

These authors from Singapore and Macao discuss the benefits of developing a sense of community in the classroom, which they say can build an environment of trust and mutual confidence with Chinese students. The authors recommend using individual and group tutorials. Although some teachers think tutorials are too much work, the authors claim it is worthwhile. These tutorials are developed with an informal structure and encourage a free flow of conversation. The article gives examples of how tutorials are used in the ESL classroom.

Authors: Kirsten Schaetzel, Chan Ho
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A Case Study of Reflective Journals in a University Level Writing Course in HungaryExpand

This article is about the author’s experience using learning logs and in-class journaling for her college-level ESL writing class in Hungary. Her purpose was to gather information on the students’ writing experiences, both before and during the class, and to address issues raised in the logs and journals. She taught the class with a reflective-teaching, learner-centered style and a process-learning curriculum.

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Helping Professionals Prepare Presentations in English for International ConferencesExpand

This English teacher in Argentina describes how she helped a local doctor prepare for a presentation made in English at an international trade conference held in the United States. The article discusses how the author prepared to work with the specific topic, ophthalmology, the use of cognates in the specialized field, tips for helping the physician with his pronunciation, and the outcome of the presentation.

Author: Emiliana Villata
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Written Peer Response in L2 WritingExpand

This article argues that peer reviews of student writing should be done in writing and orally, as opposed to only in writing or only orally. Peer reviewing usually addresses the organization and style of student writing. The author discusses eight advantages to managing a peer-review process this way.

Author: Nat Bartels
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Motivating Students by Modifying Evaluation MethodsExpand

This author identifies three key elements to student assessment—overly critical correcting, expectations, and competitive scoring—that prevent success in the ESL environment, based on the typical Chinese educational structure. The article discusses several techniques, mostly learner-centered, that a teacher can use to provide effective assessments while also creating an environment of trust, confidence, and fairness, where a student feels safe to take risks.

Author: Mu Fengying
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Teacher ResourcesExpand

This section reviews four books. “Teaching English as an International Language” by Sandra McKay relates English teaching to the use of the language around the world. “Humanizing Your Coursework” by Mario Rinvolucri offers 95 activities range from icebreakers and warm-ups to listening, speaking, and looking backwards or forwards. “Testcraft” by Fred Davidson and Brian K. Lynch addresses how to design contextual tests. “Teaching Large Level Multilevel Classes” by Natalie Hess includes 144 activities and 11 principles for teachers to cope with these types of classes.

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Abstracts from Other JournalsExpand

In “EAP Issues and Directions,” Ken Hyland and Liz Hamp-Lyons consider elements EAP researchers and teachers face. The challenges and academic needs of EAP, for both students and teachers, are addressed, along with solutions to those challenges. Teaching writing within the legal profession when the student is also an ESL/EFL student is the main topic of “Developing Legal Writing Materials for English Second Language Learners: Problems and Perspectives” by C. N. Candlin, V. K. Bhatia, and C. H. Jensen. The article includes an analysis of textbooks and suggested customized resources.

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News & NotesExpand

This entry tells readers that audio from vinyl records included in Forum over 20 years ago is now available free via the Internet at www.antimoon.com. The audio files includes shaggy dog jokes and a train story. There is also an announcement of a new journal, the Journal of English for Academic Purposes, which started last year to keep EAP teachers and researchers up to date.

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The Red Hot Blues Expand

This is the first in a four-part series of essays on the American musical style called “Blues.” This music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article covers the history of the Blues, its influence on other musical styles, and the current state of this uniquely American music.

Author: Kent S. Markle
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The Blues SingersExpand

This is the second in a four-part series of essays on the American musical style called “Blues.” This music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article features stories about leading Blues musicians throughout the history of the music, including B. B. King, Muddy Waters, Robert Johnson, and Bessie Smith.

Author: Kent S. Markle
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Elements of the BluesExpand

This is the third in a four-part series of essays on the American musical style called “Blues.” The music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article covers the verse structure, the instruments, and other musical elements of the Blues.

Author: Kent S. Markle
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The Blues: Grammar and GlossaryExpand

This is the last of a four-part series on the American musical style called “Blues.” The music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This section, as the title suggests, explains the words used in discussing the Blues and music in general, for example the use of “Blues” to mean more than just a color.

Author: Kent S. Markle
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The Lighter SideExpand

Blue is a common word found in American idioms. For example, “Once in a blue moon” means something happening rarely. And “Blue in the face” means a person is pale from exhaustion or frustration. This short section lists several idioms with the word blue in them, and gives an explanation of the phrase.

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