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Blue is a common word found in American idioms. For example, “Once in a blue moon” means something happening rarely. And “Blue in the face” means a person is pale from exhaustion or frustration. This short section lists several idioms with the word blue in them, and gives an explanation of the phrase.

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The author introduces genre awareness, a concept from ESP (English for Specific Purposes) and EAP (English for Academic Purposes), and relates it to its potential use in the EFL (English as a Foreign Language) classroom. She explains genre awareness as the ability to use the communication tool that is most appropriate for the purpose and audience. She recognizes several challenges to using genre awareness curriculum in the EFL classroom. Finally, she presents several useful genre awareness classroom exercises.

Author: Diane Millar Format: Text
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This is the last of a four-part series on the American musical style called “Blues.” The music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This section, as the title suggests, explains the words used in discussing the Blues and music in general, for example the use of “Blues” to mean more than just a color.

Author: Kent S. Markle Format: Text
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This is the third in a four-part series of essays on the American musical style called “Blues.” The music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article covers the verse structure, the instruments, and other musical elements of the Blues.

Author: Kent S. Markle Format: Text
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This is the second in a four-part series of essays on the American musical style called “Blues.” This music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article features stories about leading Blues musicians throughout the history of the music, including B. B. King, Muddy Waters, Robert Johnson, and Bessie Smith.

Author: Kent S. Markle Format: Text
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This is the first in a four-part series of essays on the American musical style called “Blues.” This music grew out of the musical traditions of African slaves in the United States between 1619 and 1863, blended with the musical styles of Europe. It is closely related to Jazz. Blues and Jazz are the only two completely unique musical styles created in the United States. This article covers the history of the Blues, its influence on other musical styles, and the current state of this uniquely American music.

Author: Kent S. Markle Format: Text
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This entry tells readers that audio from vinyl records included in Forum over 20 years ago is now available free via the Internet at www.antimoon.com. The audio files includes shaggy dog jokes and a train story. There is also an announcement of a new journal, the Journal of English for Academic Purposes, which started last year to keep EAP teachers and researchers up to date.

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In “EAP Issues and Directions,” Ken Hyland and Liz Hamp-Lyons consider elements EAP researchers and teachers face. The challenges and academic needs of EAP, for both students and teachers, are addressed, along with solutions to those challenges. Teaching writing within the legal profession when the student is also an ESL/EFL student is the main topic of “Developing Legal Writing Materials for English Second Language Learners: Problems and Perspectives” by C. N. Candlin, V. K. Bhatia, and C. H. Jensen. The article includes an analysis of textbooks and suggested customized resources.

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This section reviews four books. “Teaching English as an International Language” by Sandra McKay relates English teaching to the use of the language around the world. “Humanizing Your Coursework” by Mario Rinvolucri offers 95 activities range from icebreakers and warm-ups to listening, speaking, and looking backwards or forwards. “Testcraft” by Fred Davidson and Brian K. Lynch addresses how to design contextual tests. “Teaching Large Level Multilevel Classes” by Natalie Hess includes 144 activities and 11 principles for teachers to cope with these types of classes.

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This author identifies three key elements to student assessment—overly critical correcting, expectations, and competitive scoring—that prevent success in the ESL environment, based on the typical Chinese educational structure. The article discusses several techniques, mostly learner-centered, that a teacher can use to provide effective assessments while also creating an environment of trust, confidence, and fairness, where a student feels safe to take risks.

Author: Mu Fengying Format: Text
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